Burbank, CA –December 3rd, 2007 – Doremi Cinema LLC is proud to announce that its DCP-2000 cinema server has been selected by Circuit George Raymond (CGR Cinémas) for all its 400 screens in France. The DCP-2000 installation will be part of an exclusive Virtual Print Fee (VPF) based agreement with Arts Alliance Media (AAM), Europe’s leading provider of digital distribution services. With this agreement CGR Cinémas will become the first European exhibitor to convert completely to Digital Cinema exhibition.

CGR Cinémas chose Doremi’s DCP-2000 server out of the brands evaluated and selected by AAM. Christie Digital has been chosen to provide digital cinema projectors and French cinema integration and services company Cine Digital Service will provide local installation and support services.

Two hundred screens are scheduled to be completed during the first year of the rollout that is set to begin in the first quarter of 2008. Eight screens will be equipped in December this year, in time for 3D digital cinema screenings during the Christmas holidays. In addition to the players, Doremi Cinema will also provide the Theater Management System (TMS) and the gateway integration with CGR Cinémas POS/Ticketing system developped by Monnaie Services. The Smartjog secured media delivery network will also be interfaced with the DCP2000 & TMS.

CGR Cinémas is a leading and expanding cinema chain in France. The company is well known for the success of its multiplexes in many mid-size cities across the country, for the efficiency of its cost management and for its profitability. By becoming the first European cinema chain to go fully digital, CGR Cinémas is demonstrating that it is an innovative company, ready to embrace new technology to deliver the best possible quality cinema experience.

CGR Cinémas is the first European exhibitor to sign up to a VPF-based rollout. The VPF business model is a means of financing the conversion to Digital Cinema, where both distributor and exhibitor contribute over time towards the total cost of the digital projection and server equipment, funded up front by the rollout entity AAM. The VPF model has been proven in North America, with over 4,320 digital screens installed to date, all using Doremi Cinema servers and Christie’s digital cinema projection systems.

“We are delighted to be the first movers in the digital transition and to enter into a new era of French and European cinema,” said Jocelyn Bouyssy, Directeur General of CGR Cinémas. “CGR Cinémas is a forward thinking company and its ability to seize new opportunities makes it one of the most successful chains in the French exhibition market. I would like to thank Gwendal Auffret and AAM’s technical team, the staff at CGR Cinémas, as well as the suppliers and installers for their innovation, creativity, skills and efficiency. This teamwork made such a historical agreement possible and now CGR Cinémas will embark on the great adventure of Digital Cinema in every screen in our circuit.”

Patrick Zucchetta, European Business Development Director for Doremi Cinema commented “We are very proud to have been selected for the CGR Cinémas deployment and to have the opportunity to work again with Arts Alliance Media following the earlier successfull roll-out of the UK Film Council’s digital screen 240 screen network, completed earlier this year”.

This agreement will see the number of theatres equipped with Doremi Cinema servers reach the 1,000 milestone in the EMEA region alone; and will add to the over 4,500 installations of Doremi Cinema players installed in the world today

Burbank, CA - October 24th, 2007 - Doremi Cinema announces that its DCP-2000 cinema server has officially received a Federal Information Processing Standards (FIPS) 140-2 Level 3 validation certificate.

FIPS Level 3 compliance provides the DCP-2000 with the highest level of protection required by the Digital Cinema Initiative (DCI) to secure the motion picture files used in the cinema server.

"Achieving FIPS certification brings the highest level of comprehensive security DCI compliance for our server," said Michael Archer VP of Sales at Doremi. "Our security solution also allows for maintenance to be performed at the theater level without special personnel, since our security design left maintenance items easily accessible."

The Doremi server underwent a comprehensive testing process by the accredited cryptographic module testing laboratory InfoGard. InfoGard submitted its test report to NIST, which issued the FIPS 140-2 Level 3 validation certificate. Doremi's NIST certification number is 850.

Doremi Cinema's DCP-2000 is by far the most installed cinema server in the world with over 4000 screens worldwide. Doremi's continued leadership in installations both underscores the reliability and consistency of the DCP-2000 server to provide both the highest quality JPEG2000 images and the highest levels of security sought by the major studios to protect their content.

Orlando, FL ShowEast 2007– October 16th, 2007 – Doremi Cinema, LLC is pleased to announce that the DCP-2000 cinema server has reached 4000 units in worldwide installations.

Doremi Cinema has greatly outpaced the competition in server installations. Its leadership underscores the reliability and consistency of the DCP-2000 server to provide both the highest quality JPEG2000 images and the highest levels of security sought by the major studios to protect their content.

Doremi was first on the market with a JPEG2000 server that conforms with the DCI technical specifications and continues to add advanced features to keep it comfortably ahead of the competition. Some of these features included 3D playback, CineLink II strong link encryption, and Thomson’s NexGuard and Philips’ CineFence Forensic Watermarking. In addition, the DCP-2000 server has been recommended for FIPS 140-2 level 3 security certification.

Michael Archer, VP of Sales at Doremi, adds “Nothing can replace the experience gained from an installed base of over 4000 servers. DCP-2000 buyers understand the intrinsic value of our real-world experience to provide a reliable and high performance server. Of course, our server also provides the latest features for utmost flexibility and support of the latest technology; including 3D support for REAL D or dual projectors, 2k and 4k resolutions plus MPEG2 or JPEG2000 file support.”

Sophia Antipolis, 5th September 2007 As the official digital cinema partner of the prestigious Venice Film Festival, Doremi, in collaboration with cinema installer Decipro, will provide all the necessary equipment and technical support to ensure a successful DCI-JPEG2000 digital movie file playback during the festival. Six Doremi DCP-2000 servers were installed in the main auditoriums and successfully integrated with the existing traditional 35mm equipment for both image and sound.

In addition to supplying the digital cinema screen servers, Doremi is also involved in the digital cinema mastering. Doremi’s widely adopted mastering station, the DMS-2000, has been used for the production of the Digital Cinema Packages (DCPs) thanks to the expertise of the two companies Bewegte Bilder in Germany and Digimage in France. A few movies were also encoded during the festival directly from HDCamSR tapes.

Doremi Europe Managing Director, Patrick Zucchetta, said: “We are very proud to have been selected by the 64th Venice Film Festival as the sole cinema player for all digital screens during the festival; this decision is a great recognition of Doremi’s leadership in the digital cinema market .”

Décipro Managing Director, Jean-Marc Couffignal added: “It has been a very good synergy between Décipro and Doremi to secure all the digital screenings. We were able to leverage our 25 years of experience in the cinema installation business”.

Mr Angelo d’Alessio, responsible for digital cinema at the Venice Film Festival adds: “ the reliability and ease of use of Doremi’s equipment together with the experience and professionalism of Decipro have made it a success for digital cinema at the 64th edition of the Venice Film Festival.”

Burbank, CA – June 19th, 2007 – Doremi Cinema announces that its DCP-2000 cinema server has been recommended by InfoGard Laboratories for a Federal Information Processing Standards (FIPS) 140-2 Level 3 validation certificate. DCP-2000 cinema servers built to FIPS standards will start shipping in the 3rd quarter, 2007.

FIPS Level 3 compliance provides the DCP-2000 with the highest level of protection required by the Digital Cinema Initiative (DCI) to secure the motion picture files used in the cinema server. Not resting on their laurels, Doremi Cinema’s engineers took the opportunity to push the level of security beyond that mandated by FIPS specification.

The National Institute of Standards and Technology (NIST) issued the FIPS 140 Publication Series to coordinate the requirements and standards for cryptography modules which include both hardware and software components. InfoGard Labs is an accredited Cryptographic Module Testing Laboratory under Lab Code 100432-0 of the National Voluntary Laboratory Accreditation Program. The official NIST validation process is expected to take six months.

“Achieving FIPS recommendations is one of the final steps towards comprehensive DCI compliance for our server” said Michael Archer VP of Sales at Doremi. “FIPS is added to what is already the most feature rich digital cinema server in the market and affirms our position as the most installed cinema server worldwide.”

"Doremi has successfully completed the methodical and stringent FIPS 140-2 validation testing to Security Level 3 at our laboratory", said Ken Kolstad, General Manager of Operations at InfoGard Laboratories. "The validation test report has been submitted to NIST recommending issuance of a FIPS 140-2 Level 3 validation certificate."

Doremi Cinema’s DCP-2000 is the most installed cinema server in the world with over 3300 screens worldwide. Doremi’s continued leadership in installations both underscores the reliability and consistency of the DCP-2000 server to provide both the highest quality JPEG2000 images and the highest levels of security sought by the major studios to protect their content.

Doremi Cinema continues to add advanced features to the DCP-2000 to keep it comfortably ahead of the competition. Some of these features included 3D playback, CineLink II strong link encryption, and Thomson's NexGuard and Philips' CineFence forensic watermarking

Las Vegas, NV –ShoWest - March 13th, 2007 – Doremi Cinema is pleased to announce that it has reached the 2,700 installation mark for its DCP-2000 cinema server. The DCP-2000 server has been part of every major deployment of digital cinema worldwide including those by AIX, Technicolor Digital Cinema and XDC.

With over 1 million play dates completed, Doremi Cinema is the only server manufacturer with the real-world experience to further the quality and reliability of its product. Exhibitors and network owners alike have confirmed this by continuing to include the DCP-2000 in their digital cinema rollouts.

Doremi’s continued leadership in installations underscores the reliability and consistency of the DCP-2000 server to provide both the highest quality JPEG2000 images and the highest levels of security sought by the major studios to protect their content. Since its introduction, the DCP-2000 has greatly outpaced the competition in server installations. The DCP-2000 was the first JPEG2000 server on the market that conforms with the DCI technical specifications.

Doremi Cinema continues to add advanced features to the DCP-2000 to keep it comfortably ahead of the competition. Some of these features included 3D playback, CineLink II strong link encryption, and Thomson's NexGuard and Philips' CineFence forensic watermarking.

Michael Archer, VP of Sales at Doremi Cinema, adds “We are very pleased that the DCP-2000 continues to be the number one server choice for Digital Cinema deployments. With over 2,700 units installed we are uniquely positioned to continue to provide our industry with the leading technology and reliability that they expect.”

Sophia Antipolis, France, 19 March 2007

The first Digital Cinema mastering station in Russia has been installed as a part of the national Digital Rollout programme developed by the Head Data-Computing Centre (GIVC) of the Federal Agency of Culture and Cinematography, and the ComSat company, with the support of the Russian Ministry of Culture. This installation means that now, not only foreign, but also national films can be projected onto digital screens with DCI-rated image quality. Coming only a few months after the opening of the first digital cinema in Saint Petersburg, this installation is a big step towards a full-scale digital rollout in Russia.

Doremi Cinema's DMS-2000 mastering station was selected by the Head Data-Computing Centre to create Digital Cinema movie files. Today Doremi is a leading developer and supplier of DCI JPEG 2000 digital cinema servers and encoders. Several DCP-2000 cinema servers are already installed at commercial cinemas and laboratories in The Russian Federation.

With the DMS 2000, Head Data-Computing Centre will provide encoding/mastering of JPEG 2000 files in 2k resolution conforming to DCI specifications. The Doremi system also enables the mastering of pre-show content such as publicity, documentary films and video clips.

Doremi's European Manager Patrick Zucchetta said: "We believe that the Russian digital cinema market has a high potential, particularly because of the development of national film production. It is a great pleasure to become a part of this project and to open the Russian market with DCI-compliant facilities".

Las Vegas, NV –ShoWest - March 13th, 2007 – Doremi Cinema is pleased to announce that they have delivered over 150 DCP-2000 cinema servers for Technicolor Digital Cinema’s North American deployment of end-to-end digital cinema services and equipment.

Many of these units will be used in REAL D’s 3D deployment for Disney’s animated feature film, "Meet the Robinsons." Doremi Cinema has also completed a supplier agreement with Technicolor Digital Cinema for potential future orders.

The DCP-2000 cinema server will be installed at major exhibitors including Mann Theatres, ArcLight Hollywood's Cinerama Dome, and National Amusements. Doremi Cinema currently has over 2,700 installed cinema servers worldwide.

Doremi Cinema has greatly outpaced the competition in server installations. Doremi was first on the market with a JPEG2000 server that conforms with the DCI Technical Specifications and continues to add advanced features to keep it comfortably ahead of the competition. Some of these features included 3D playback, CineLink II strong link encryption, and Thomson's NexGuard and Philips' CineFence Forensic Watermarking.

“Doremi is known for being very responsive to the industry’s desire to integrate important DCI features on an accelerated timeline. This allows our studio and exhibitor customers to feel confident that the digital cinema beta test will be a success,” said Curt Behlmer, executive vice president of Technicolor Theatrical Services and COO of Technicolor Digital Cinema.

Michael Archer, VP of Sales at Doremi, adds "We have been working very closely with Technicolor Digital Cinema over the last year to ensure the rollout of their beta network is a success. Our servers are already deployed in many of their screens and we look forward to continuing this successful relationship.”

Las Vegas, NV –ShoWest - March 13th, 2007 – Doremi Cinema’s DMS-2000 is the number one installed Digital Cinema Mastering Station with 25 units in operation at major post production facilities worldwide. Today the overwhelming majority of digital film releases are mastered via the DMS-2000.

The DMS-2000’s advanced feature set and hardware accelerated encoding have made it the first choice for digital cinema mastering facilities. The DMS-2000 is currently installed in 25 leading post production facilities in Belgium, France, Germany, Japan, Korea, Scandinavia, United States, and the U.K. Besides creating digital movies the DMS-2000 is also being utilised for preshow content, policy trailers, and advertisements. In adition, the DMS-2000 is mastering specialised JPEG2000 formats such as 3D and 4k resolution files.

The DMS-2000 is a complete DCI spec authoring system that supports bit rates up to 250 Mbits/sec It provides extensive encoding parameter controls, a hardware accelerated JPEG2000 compressor and constant quality variable bit rate (VBR) encoding. VBR encoding produces the highest possible image quality at file sizes significantly smaller than those achieved with constant bit rate encoding (CBR). A smaller digital movie file size provides for reduced duplication time and distribution costs.

The DMS-2000’s exclusive hardware accelerated encoding provides up to real-time encoding of digital movie files. It is currently the only hardware accelerated JPEG2000 encoder on the market. Competing software-only encoders are typically slower and require complex multi-processor workstations. The DMS is also available with real-time HD-SDI ingest as an extra cost option.

The DMS-2000 is competitively priced to encourage adoption. Doremi Cinema was first on the market with a mastering system to DCI specifications and continues to lead in market share and technical enhancements to the product line.

Doremi Cinema is not only a mastering station manufacturer but also a leading cinema server manufacturer. Doremi’s DCP-2000 cinema server was the first commercially available server capable of playing DCI spec. digital movies. Today the DCP-2000 is the most installed cinema server with over 2700 screens worldwide.

Bergen, Norway – 5 March 2006, Post-production and graphic design studio BUG is the first facility in Scandinavia to acquire Doremi Cinema's DMS-2000 mastering station to create digital cinema movie and advertising files. With Norway having pioneered both the digital advertising and digital cinema markets in Europe, the Doremi system will enable the mastering of content in line with DCI-specifications for the entire Nordic market.

Thomas Berland, BUG's Managing Director commented that “BUG has always prided itself on offering the best services and creative tools available on the market. The Doremi DMS-2000 mastering system means that we can continue to offer our clients digital cinema files in the highest possible quality.” The award winning Norwegian studio will install the Doremi mastering system in its brand new headquarter in the centre of Bergen, the country's second largest city.

Doremi's European Manager Patrick Zucchetta said, “We are pleased that Doremi is the first choice for mastering to DCI-specifications in the United States, UK, Germany, Belgium, France and now also Scandinavia. We believe it demonstrates the system flexibility, whether used for feature films, trailers or adverts.” As well as its mastering system, Doremi has six cinema servers installed in several Norwegian cinemas, mainly with the NORDIC project (NORway's Digital Interoperability in Cinemas).

Speaking on behalf of Unique Digital, BUG's sister company, CTO Dave Spilde added, “the purchase of the DMS-2000 highlight's Unique's commitment of offering digital screen advertising solutions that anticipate DCI-quality digital cinema. We are very pleased to be working with a market leader like Doremi in pioneering the use of JPEG2000 for cinema screen advertising.” Unique's digital screen advertising system has been adopted on over 1,100 cinema screens across Norway, Sweden, UK, Ireland, Belgium, Portugal and most recently in Finland as well.

About Doremi: Doremi is a leading developer and manufacturer of mastering and playback solutions for the digital cinema market. Doremi was founded in 1985 in Los Angeles, California and expanded worldwide in 1996 with the opening of an office in France, followed by an office in Japan in 2003. Today Doremi Cinema provides complete mastering and playback solutions for both JPEG2000 conforming to DCI specifications and MPEG2 MXF Interop. In just two short years Doremi Cinema has established itself as the leading provider of JPEG2000 mastering stations and playback servers. www.doremicinema.com

About BUG: BUG is a Norwegian design studio creating motion graphics, visual effects and 3D animation for film, broadcast and commercials, as well as post production and editing in SD and HD. Set up in Bergen 1995 and present in Oslo since 2002, the company is responsible for the encoding and distribution of commercials to Unique Digital's digital cinema advertising networks in several European territories. www.bug.no

About Unique: Unique Digital Ltd. is the largest European provider of digital cinema advertising products and the first to have migrated an entire country from 35mm film to digital advertising. The company expanded into D-Cinema products and services as of May 2006 with the launch of the NORDIC (NORway's Digital Interoperability in Cinemas) project. Unique Digital Ltd. is an active member of SAWA (Screen Advertising World Association) and holds a seat on the digital sub committee. Unique Digital Ltd. operates out of London, Bergen, Oslo, and Dublin. www.uniquedigitalcinema.com